TYPOGRAPHY! TYPE has been one of the words in DT&G Magazine (or "Design, Typography & Graphics") since its debut in 1988. OCTOBER is brought to you by the letter "O"

Send in your favorite type, fonts or lettering ideas and discoveries for our 21st ANNUAL FALL FONTS FESTIVAL
and you could win some juicy prizes! Join our DTG FACEBOOK FaceBook Group and follow us on DTG TWITTER Twitter

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20th Annual Fonts Surf : making faces from font faces

You've seen them before -- faces and portraits composed purely of typography and lettering. Here's we've discovered a new crop of excellent faces that we had to share! It's one of the more difficult creative projects you can attempt with typography -- but these folks do it with real skill and vision! Enjoy:
[*] Typography faces of depth and vision
[*] An eye for meticulous detail
[*] Kerli Typographic Portrait
[*] V for Vendetta Typography
[*] Hayabussa Typography Face
. . . and more! September 30, 2014

20th Annual Fonts Surf : History, Signs and even a sip of booze fonts

On a roll with a jaunt through a little history, meeting some old faces, and sip some Gin! This is number six, and continues with :
[*] Exploring Printing History at The Newberry Books, Graphic Design
[*] Like a brother to the Bourbon family, here comes GIN
[*] Signs from other Signs with Ampergram
[*] Food... Don't Waste It 1883
[*] Cooper Revisited
. . . and more! September 30, 2014

20th Annual Fonts Festival : fonts, lettering and typography surf Five

Welcome to October, and the fifth round of surfing for the best ever type, fonts, lettering, calligraphy and typography! We're on a roll here, folks, and headed for lots of great eye-candy, free fonts, and unique experiences in the world of letters and typography. Continue on with :
[*] Toronto pulls anti-littering campaign over trademark infringement concerns
[*] Mastering Typography by Martin Silvertant
[*] Erik Marinovich is a friend of Type. . .
[*] Quire Sans Jim Ford Monotype
[*] Font-A-Holic!
. . . and more! September 30, 2014

Ampersands : a 25 year love affair

From the first designs for the DT&G and Design Center branding, the ampersand played a big part. Even as we rolled out printed newsletters, t-shirts, coffee mugs and all, the bright red Ampersand carried our look. We had no idea in 1988 that some day there would be a web site called "Pinterest" with more ampersands than one person could see in a lifetime! Wow. September 30, 2014

If you only had ONE FONT... which one would it be and why

Well, we asked this question in a LinkedIn forum three years ago, so we decided to ask it again! DTG went into the very same LinkedIn group and asked this question: "If you could have only one font, which would it be and why?" September 29, 2014

350 Free Fonts for Download Now - Come-n-get-em'

No fonts fest is complete without free fonts, right? No need for us to give you fonts . . . you can just go here and download 350 fonts -- the only free commercial use font collection to receive regular updates of brand new fonts. We like'em ... you will too! September 26, 2014

If you only had ONE FONT... which one would it be and why

Here's an interesting experiment in the minds of graphic designers . . . in the 2010 annual fonts fest we went to a graphic design forum on LinkedIn and asked the question. This year we returned to the very same forum and asked the very same question. Whoa! What a difference! September 24, 2014

60-Seconds #316 : What's the most overused font?

Sometimes I run into conversations that I just can't resist passing along. Such is this one I ran across on LinkedIn. But what are your thoughts with asked "What's the most overused font of contemporary design?" I have my ideas, and you'd expect passionate responses from any designer of some background and knowledge. Let's see what the LinkedIn graphic design professionals believe the answer is. . . September 13, 2014

New font designed by Erik Spiekermann for the Hamilton Wood Type Foundry

You are going to like the look of ARTZ ... it's one of the the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. September 10, 2014